Short object reading
Object note
This page stays close to the sheet itself: composition, historical setting, and the work's place in the archive.
Public authorship on display
This work belongs to the moment when Mucha’s own name and style had become part of the attraction. The poster no longer sells only an event; it also circulates a recognizable artistic persona.
A printed public sphere
The Salon des Cent context matters because it joins exhibition-making to the broader ecology of print. These images move across walls, magazines, and public attention, making style itself a social presence.
Place in the archive
It clarifies how Mucha’s visual language functioned not only as decoration but as a public signature within late nineteenth-century media culture.
Related works
Salon des Cent, 20. Ausstellung
An exhibition poster that joins cultural publicity to Mucha's ornamental authority.
Zodiaque (La Plume)
Magazine iconography recast as cosmic branding and refined design.
F. Champenois Imprimeur-Editeur
A poster about print that also glorifies the power of reproduction.